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Hi All,
Andy Collins, formerly of The Storys, has announced that his new solo album entitled "Closure" will be released on 27th February 2012. (Although Amazon does give the release date of 6th March?)
Musicians:
---Musicians joining Andy on the album include fellow former Storys members Rob Thompson and Alan Thomas, along with Matthew John and Tim Hamill.
Tracks:
1. Believe
2. Find Your Own Way Back
3. All The Things You Dream Of
4. The Flow
5. You Say Nothing
6. Over Again
7. Two Horse Race
8. Something New
9. Story Town
10. Only One Right
Pre-order:
---Amazon.co.uk: http://www.amazon.co...24834881&sr=8-1
---Play.com http://www.play.com/...urlrefer=search
Hear some of the new tracks in February:
In the 3 weeks leading up to the release date Andy will be posting a new song from the album each week for us to hear (presume this will be on his Facebook or MySpace pages - see links below.) If the release date is actually 27th February as listed on Play.com, that would mean on the 6th, 13th and 20th February there will be a new track uploaded. But of course this is subject to change, so probably best to keep your eyes and ears peeled on Andy's Facebook and MySpace pages.
Facebook: http://www.facebook....andycollinsbass
MySpace: http://www.myspace.com/andycollinsbass
Album Launch Gig:
---It has been announced that there will be an album launch gig on Wednesday, 4th April 2012 at The Bedford in Balham http://www.thebedford.co.uk Additional details to be announced.
Kind regards,
NeeCee
© steve balsamo fanforum
Gethsemane
THE STORYS. June 18 th 2010 . The Arts Wing, Grand Theatre , Swansea.
Hello one and all.
. I thought my Review notes that I’d done at the 2 farewell Gigs were forever lost , never to be seen again. I asked for a Miracle and I finally got one. They went on their travels to Ireland and back. So a big thank you to Roseeta , the Castle Housekeeper who alerted me and reunited me with them recently. To finish what I’d started is quite tricky. As time has now moved on, casting my mind back and getting to that place where you can relive it and be there once more takes a lot of concentration. I really wanted to do the best I could for the guys & gal they are so definitely worth it. I feel it’s a little something I can give back , albeit in just a few words, or two or maybe more? . Do I do just one review for both nights? Combine everything together, so it reads as one? No i can’t do that. Not for those people who went to one and not the other, and for those who hadn’t had the opportunity of been at either, the gigs were quite different . **************************************************************************************
The Grand Theatre is over 100 yrs old and thank goodness it was saved from closure in the 1960’s, as it is now home to the Swansea Ballet, Dance and Opera societies. The addition of the Arts Wing hosts Art exhibitions, and small drama performances on the purpose built staging area.
The simplicity of this facility inside where we were seated, with flip back seats and a few front rows of free standing chairs , just made the array of multiple musical instruments all lined up in a row seem more dramatic. The plain black back drop screen that had random fairy lights twinkling like a newborn galaxy, and the vivid splashes of colour bouncing off the guitars made them all seem like holy relics, mounted on their own stands, only to be viewed from afar…..then your eyes are drawn in and you begin to recognise Rob’s instruments, then Andy’s . Of course Al’s were strewn further back , what an array of strings, percussion and a few suspect ones that only he knows the names of? Then you see the rest and realise of course there is a lot more than usual, 15 guitars counted and Rosalie’s mandolin . They projected the promise of a musical bonanza.
Now we have a lot more expectation knowing that Dai is definitely in our midst. Suddenly they are there, trooping out like a well rehearsed chorus line. To the woops and cheers , suddenly the bitter sweet feeling of this moment has come. My heart misses a beat and in a gulp of air they grab their instruments, smile knowingly at each other, expediate their tuning by the time our eyes have adjusted to the softer lighting.
They all look raring to go , Barefoot Dai with his sunglasses on looks around and his infectious smile soothes the furrowed brows of a few apprehensive onlookers. Steve, thank goodness yes he’s there. Of course there was no doubt he would be there. He said a few words to say how he and the band" hoped that this night would be a lasting memory for everybody, and it was a special treat for them to play it all for us” , The old favourites right from the beginning and also the new stuff.. The Alpha and Omega.
Dai immediately went into the Lead Vocals, and Rosalie did the accompanied Harmony. Rob then stepped up to the familiar strains of I BELIEVE IN LOVE. “ You can rise above these soul cages”…the words suddenly had more meaning than they ever had before . Where ever there was a clearer example of those words uttered and understood before, I felt we were suddenly being transported to a place where every word had a sharper and poignant meaning. Steve does bring the elements together that makes each and every song unique to them . Yet it was still the Storys, all of them.
"Sometimes it's harder to come back Than to leave"[……..Suddenly words I’ve heard umpteen times before are jumping out, and been stored as a ‘keepsake’, to hold them close for sentimental reasons later down the line. Rob & Dai have very nice harmonies ….. I’m not certain “IT’S ALL WE REALLY NEED”? Steve is standing away from the Mic , and seems to be sending silent signals of encouragement and is likely mentally humming along as we all were. Straight into ‘DAYLIGHT CALLS(Troubador)’. Andy C on Lead Vocals, Then Rob steps up for the second verse with Rosalie’s Harmony the third Vocal, a nice blend that is carried through with a fab solo guitar section from Rob. Dai, is doing his thing and his animated sway is expressive of how chilled they are up there. Musically, the best I’ve heard it played to date.
‘PLEASE COME HOME’ proved to be a little gem. Rosalie showed a sincerity and deeper expression that shows how the singer and song have matured and now has it’s place in the ‘top half’ not the’ bottom half’ of the Story’s collection.”Nothing’s worth hiding from” “ It’s who you Love not who you betray”! Poignant and well composed words, with special meaning for some. Suddenly a much deeper and more powerful drum beat fell upon us , and we were engulfed by yet another much richer offering of ‘BE BY YOUR SIDE’. Brian’s drumming took us to new heights. This is a classic Storys harmonising track, I’ve heard them perform on numerous occasions, which has magical Qualities as it opens up, so yes I did miss Steve’s additional vocals. Yet it was still very well put together, considering at this point I expected him to at least be mouthing the words. The man has the Will Power of Herakles, to resist the urge to do what is so instinctive . There was almost a quiet professional submission from him. Rob T took the lead vocal ,then a natural blend with Dai, gelled the vocals. It was very smooth. Andy kept one eye on the proceedings, roaming and scrutinising his surroundings as Dai was inclined to be dipping and coasting with his guitar. This seemed to lighten the mood at that moment, even if the song does have a dark undertone.
“Weak as I am, I can't release you”……..HIGH ENOUGH *, was one of the highlights, if I had to admit to any. Dai gave a superb performance. The intensity and sheer effort on his face told you , he was putting heart and soul into every word and gesture. I was truly transfixed. Probably the best I’ve ever heard him sing. Nothing existed outside the perimeter of his vocal performance for those 3 minutes or so. From the start when Dai humbly acknowledged that there was no Storys without Steve, for me he was offering this moment up to Steve as a gift of thanks . he put everything into it and was clearly moved as the song climaxed and he withdrew from the cocoon of his emotions and brought us back with him. The biggest cheer and applause went up, as he ended. I was spell bound, and will for ever think of that night whenever I hear the song. He waved and knew he’d sung his socks off, I think Steve and the others will be very satisfied and wowed as much as we were.
TOWN BEYOND THE TREES. . “I will hold you, when you reach the other side. I adore you 'cos love will never die.!” How difficult it is to choose just one line that tells you everything about a song , like this is. The incredible and unique componants that make this truly an incredible song that so many have not had the pleasure of hearing . The Storys are ‘TOWN BEYOND THE TREES’. Their signature tune some would say? It is Steve at his best, and nobody will or even dare argue that he sings it as no other can or will here after !!. Many may have accepted that there would be no ‘Town’ sung that night.
So here it is. I bet that caught a few people out, and surprised many to hear the emotive, slow base chord , that give the game away. So who’s going to be? With all eyes caught and breathes shallow with anticipation, Rosalie takes it on and delivers a feather soft, and whispy version, that is so sincere , it comes across as a symbolic offering to Steve as another thankyou gift. Rosalie shows some apprehension, but keeps it together. The relief on her face at the end is very clear to see. Maybe she considered she had tread on ‘Holy Ground’, gone further that she ever had expected?. Taken on ‘Steve’s song,’? yet it is about the whole band. She has accomplished something maybe many thought was unthinkable. It was re-arrangeed to suit her vocal range and with eyes closed throughout most of the song, the build –up came as Dai stepped up, and cranked it up. The eclectic mix of acoustic and electric guitars have always made this track unique and distinctive. The haunting , evocative vocals that Steve gives is set apart, yet Rosalie did it her way, an encouraging hug from Steve showed his thanks at the end of the song.
Dai gives a heartfelt and emotional introduction to JOURNEY’S END’. He says,” whatever happens in life , and from this moment on, it’s good to be back. Sharing this special time, completing a circle. From the beginning to the end" Nobody wants to think about the sudden rush of melancholy sliding under the door. " Save me from the colder season, tell me there's a deeper reason , lead me to the journey's end.” Totally poetic, by now there are mixed emotions flying around and for some maybe it’s a bitter sweet moment that they’ve been holding back. For many, the steady drip of accepting this is the end, now becomes a steady stream and then a torrent of emotions. Rob takes the lead vocals, Rosalie comes in , joined by Dai. Rob leads into, …..”On and on and on and I say,….. On and on and on and I say, Lead me to the journey's end.” The whole place comes together naturally, Picks it up and is singing “On and on and on and I say”. It is like whipping up loose pebbles on a shore , the wave dragging them out , then rolling back in on the Crest together as one rock. More and more voices are drawn in and a unison of cheers , a happy chorus of earbashing noises erupts . The smiles that light up on Steve and Andy’s face, has a ripple effect like a Mexican wave through out the theatre. It felt like the end had come, yet there was still the promise of other songs to come. Dai nearly takes off, when he can give no more vocally, he jumps up and whips up any energy he was holding in reserve for the finale.
Dai catches his breath back. There is some light hearted reminiscing , he shares some of the trials & tribulations, the sweat & tears, and many plates of Laurence’s ‘Egg & Chips it took to produce and complete the second Album, ‘Town Beyond the Trees’ at Glencorrwg.
TAKING MY HEART AWAY’. Steve has more participation suddenly. The clap sequence, and the shaker accompaniement brings him back into focus. An extra rousing cheer from the audience for his efforts, give an obvious boost.
Andy introduces ‘YOU COULDN’T MAKE IT UP’. The remixed intro, is a surprise. Rob And Rosalie share vocals. Brian is swaying as he picks up the beat and the pace. A nice arrangement that suits the vocal range. Very nice keyboard piece from Al. Andy and Dai come in with BV’s.
‘ALONE’ “ I want to find true love, I want to feel true love.” Another remix for the different vocals. Steve shows how much he is enjoying this one, he’s savouring the moment through closed eyes. Rob shows some awesome guitar work. His Solo piece is loud and ‘Rockin’. The crowd is lifted and begin to cheer, a premature applause expressed how much it was enjoyed.
Rosalie leads “LONG HARD ROAD”. The electric and acoustic guitar mix is a toe tapping track. Andy is doing his animated “chicken shuffle” which is infectious as I look around . Very amusing to see others follow. Dai jumps around with his usual zeal and enthusiasm.
*ROLL LIKE A STONE “ You will roll like a stone baby, all the way home when you're done, as you search for the answers you'll find they were there all along”. This is a personal favourite of mine, since the first moment I heard it eons ago. There is a wonderful marriage of the superb harmonies that weave in between, without overpowering the lightness and melodic trill of Al’s Mandolin. Al never disappoints, it’s a beautiful sound and works so well , nicely done Al.
Rosalie speaks and shares how she became part of the band. A premeditated manoeuvre with an ‘Apple Crumble’ and the rest is History as they say !!
TROUBLE DEEP. Rosalie and Rob share vocals. A soft approach, with a laid back tone. Rob’s guitar echo is the trademark of this piece. Steve’s whistle of appreciation & claps rubbed off .
Andy led into YOU’RE NOT AROUND. Another nice keyboard piece from Al. Rosalie sat and Steve looked chilled as he watched Andy’s vocal solo . It felt like a shared emotional ending to this song for everyone.
THE KING OF BROKEN DREAMS. Dai introduced Al’s Banjo. Rob & Dais vocals are a gentle blend that was accompanied by Steve’s harmonica.
SO LONG. You could hear , but not see that it was Brian who was belting it out. Accompanied by his vigorous drumming, it was a surprise. What a gutsy performance he gave.
Steve takes this up and lifts it beyond others capabilities with the vocal twists and turns and I would consider this vocally challenging for any other not of Steve’s calibre. Yet Brian keeps it pacy and it is a good attempt. Toes were tapping, and his excellent drumming is a constant reminder that he gives his all in every track
. It is a team performance, vocally and then Rob does his solo piece. What Rob can’t do with that guitar doesn’t bear thinking about.. always he delivers and wows us. Port Talbot (Margam)’09 can never be surpassed, it was truly incredible, but this is up there as a wonderful example and showcases Rob's versatility
Andy expresses his and the band’s thanks for the fans support, sharing the journey. He says "it means a lot." The distinctive opening bars of EVANGELINA immediately radiates a party atmosphere that gets the crowd clapping and stomping their approval. Rosalie and Dai instinctively giggle at some thing that we all miss,?? A sense of relief maybe…? The camaraderie is clear to see . It’s an up beat and joyful track that raises the roof, and the crowd demands more. The guys throw themselves into more of the same and are clearly savouring these lasting moments.
"It's been seven days and Evangelina's Trying to keep her faith,She's been holding onto what's good inside her,Frightened that she might change, She works so hard, she works so hard"
As it all subsides, Dai , accompanied by Al’s Wonderful keyboard , sings GOD TAKE CARE OF THE ONE I LOVE. The soft sweet lyrics, dilute the adrenaline that has built up. Slowly as the song closes, the others come back on stage .
There is that moment, that feeling that has been coming for months…this is it. How does everybody feel for that split second of despondency? It is here now ! yet the warmth exudes from every corner, as CINNAMON is wafting over . “Cinnamon lets her hair down long, and it's tangled in a thousand knots and she's holding me in, in so many ways” . Andy kicks off , and asks the Fans to join in. Dai and Rosalie whip up the energy , the crowd is singing, clapping and stamping feet . It is a thunderous ending and a rapturous climax to satisfy anybody’s apprehension .
Could it be considered a success without Steve’s amazing vocals that we have come to love and appreciate? I have to say, yes I did miss him. He delivers and puts his stamp on everything. He was there , and that was as much as we could expect under the circumstances. Dai was amazing , he gave everything he had. He will always be part of THE STORYS, whatever happens in the future. He has left a piece of his heart in every song that was composed .
Thank you to the band for giving a memorable performance. I think Steve will agree , they did him proud.
Bridget Pestell
Sept 2010
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Steve wrote the song "Strong" on the new Mario Frangoulis album "Beautiful Things". It can be ordered via Amazon here:
http://www.amazon.co.uk/Beautiful-Things/dp/B006FN3YHW/ref=dm_ap_alb1
Thanks Guys!
I love this song so much.
It went through a few different versions before it became the song it is now. Ben Robbins my writing partner is so great, and the production he did for the demo was awesome. Steve Wood, Mario's producer did a splendid job on the album version!
x
Hello to ya!
I hope this post finds you well, happy and looking forward to the Christmas holidays.
I've been trying my best to get some sleep (I forgot how tiring being a new parent is!). And in between I've been working on songs for various projects.
Balsamo/Deighton is sounding really beautiful and we're both so excited to get that rolling in 2012. I'll keep you posted as to how that unfolds...
I've been working on more fabulous material for Annelies' project, which should (everything crossed) be signed early in the new year! We've been working on it for a year now, and it's a really special project. Annelies is fabulous!
I've also been getting some of Jon Lord and my songs together as there's nearly an album's worth of very haunting and special music there. We've talked about our love for Bryn Terfel and how we'd really like him to sing the song 'All Those Years Ago' we have written. We had him in mind all through the writing and recording process and he would be incredible on it. I think our people will approach his people at some point and try and make it happen! Ha ha...
The gorgeous Helena Jesele is finishing up her album, and it sounds very, very, very cool. We've written a bunch a great songs for it, and that too will be released next year. May the hit be with you Helena!
I'll be writing with another beautiful singer next year. St Jude, a hard rock band from London who are making a lot of waves and friends in high places, are getting material together for a new record. Lynne, the stunning singer, will be coming down to work with Tim Hamill and me at his studio in January. Tim is an awesome guitarist and writer (and loves to RAWK) and produced our Luck album (and Rob and Andy's albums!). We'll have a few days to see if we can come up with a few killer tunes... may the hit be with us!!!
Been grooving to a few albums over the last month: Plant's Band of Joy, The Raconteurs, Doug Burr (awesome) and a friend Dan Whitehouse's new album, which is great! Also Chopin to chill Frankie out!
Peace.
Steve bx
Rosalie Deighton -New Year in Amsterdam
Rosalie deighton -Where Do You Go? (When You Dream)
steve balsamo 2009 rehearsel
Hi all
Thanks all for the lovely comments.
I appreciate every one very much, as I've said it was a labour of love getting the package together. I really enjoyed doing it (very therapeutic...) and it's good to get songs from 'the vaults' out there. Like birthing babies!! Albeit much less painful... (or maybe not... haha!).
I do see songs are a bit like that; little entities that we give birth to and then let them out into the world to go do their thing. Some fly, some find their way... but they're out there, making new friends (and maybe enemies!) but touching people's lives in some way.
I'm a big Internet radio listener and still find radio intimate, mysterious and romantic. I was listening to a station up in the Arctic circle the other night that played some beautiful music and thought that maybe someone somewhere was listening to a song I've helped bring into the world and are having a similar thoughts to me. I still find song writing mysterious, like a strange musical alchemy. We start with nothing but intention and luck and the gods equals a tune... sometimes.
I was thinking the other day that Oystermouth is like a meeting place of The Storys, ChimpanA and our solo projects. In fact "Everybody Wants You To Make It" started life as an Oystermouth song, but the 'loudness' of the geets and vibe meant it fitted better with The Storys. We still have have unreleased Storys material that we recorded for all three albums, that one day may see the light of day. There are some hidden gems in there for sure. I was listening back to CDs of studio sessions as I was updating my song lists. Good memories came rushing back through the rose tinted glasses that the passage of time puts on us...
Rosalie and I have been having exciting meetings for our duet album and we've started work with John Reynolds and Julian Wilson of Grand Drive. John produced and was married to Sinead O'Connor and is one of the tastiest producers I have ever met. He was also involved with Plant/Krauss's album and recorded Robert's vocals for some tracks so he has a great handle on what we're visioning making; a kinda Plant/Krauss/Norah Jones vibe... chilled and beautiful and all about the voice and songs!
We're going by the name Balsamo/Deighton... (haha how original is that??!!) but were thinking of the 70's Loggins and Messina and Crosby and Nash vibe. I'm so bloody excited with this project as Rosalie and I sing so well together (and she is one of my fave singers ever). We have what Emmylou calls 'the rub'! We'll keep you posted on that!
I was so happy as this week I saw Jon Lord who was looking great and feeling strong!!! I was at Abbey Road studios putting some vocals on his Concerto For Group and Orchestra. Kasia flew in from Poland and we sang the beginning of the second movement. It was doubly exciting as the lovely and amazing Bruce from Iron Maiden sings the blues part and Joe Bonamassa plays some incredible guitar. It was so cool seeing everyone tripping out on Jon's incredible music (which he wrote before he was 30, clever bugger!) and again I thanked my lucky stars to be having these adventures in music! A video and lots of pictures were taken, so no doubt some sort of CD/DVD will be released at some point. Sounded awesome.
By the way, Oystermouth is released on all digital platforms from today, so please pass it on!!
Hope you're all well and see you soon.
sb xx
| The Oystermouth CD is now available in the website shop. It is a limited edition run of 100 CDs with handmade and hand printed covers with 5 pieces of artwork (one drawing for each song) all printed on recycled card included inside. Cost £10 including postage and packing worldwide. www.stevebalsamo.co.uk/shop.php The tracks from this CD will also be released digitally on 23 October - links will follow in due course. |
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iMMORTAL-DVD POE
A new television series starts tonight looking at just what special qualities go into making a truly timeless pop song. But Swansea singer-songwriter Steve Balsamo tells Nathan Bevan that he believes one Welsh band captured that magic more than 40 years ago and are yet to be bettered
Whether it’s London Calling by The Clash or Agadoo by Black Lace, the mark of a good pop song is one that will sink its hooks into the listener’s brain and refuse to let go.
And, be it the work of punk upstarts railing against the socio-political mores of modern Britain or a Eurovision-begetting novelty act given to dressing up as giant pineapples, all those songs started life in exactly the same way – as scribbled ideas on a notepad, the back of a cigarette packet or a cocktail napkin.
It’s precisely that journey that will be explored on the BBC from tonight as the network launches a two-month long celebration of and investigation into the craft of songwriting.
Called Secrets Of The Pop Song, the three-part series sees Guy Chambers – the man whose starry CV includes the co-writing credit on Robbie Williams’ mega-hits – dissect the art of penning perfect pop by collaborating with different artists to write a new song each week, while we at home track its progress from the written page to being performed live.
The series, featuring contributions from musical heavy-hitters like Sting and Brian May, will also see Chambers attempt to create a radio-friendly anthem with soul-rockers The Noisettes and team up with celebrated record producer Mark Ronson to score that elusive breakthrough single.
In the first episode though, Chambers will collaborate with American singer Rufus Wainwright to produce a timeless ballad, a skill that would appear to require an ingredient best referred to as ‘The Ex Factor’ – the ability to tap into one’s own heartbreak and channel it to pen a bona fide tear-jerker.
It’s something a lot of Welsh acts are more than acquainted with.
When his relationship with actress and society girl Sienna Miller went into very public free fall, Ruthin-raised actor Rhys Ifans threw himself into working with his rock band Y Peth, whose debut LP The Golden Mile included a tortured confessional called Stonefinger.
“Every little thing you said would break me. All of it came true. Every bit of love I give. You mock it, yes you do,” sang Ifans, before subsequently denying it was about Miller and adding that the lyrics had been penned before they’d even met.
Meanwhile, Stereophonics’ Kelly Jones, more used to singing about the minutiae of Valleys life, turned the spotlight on his own private affairs come album number four, You Gotta Go There To Come Back – the gravel-throated Cwmaman vocalist writing Rainbows And Pots Of Gold about his split from a childhood sweetheart.
But surely the peerless pop yardstick by which all else should be measured is Without You, the seminal effort from ill-fated Swansea band Badfinger.
Their 1970 chart-topping smash has since been recorded by more than 180 artists including Shirley Bassey, Harry Nilsson and Mariah Carey and was once described by The Beatles’ Paul McCartney as “the killer song of all time”.
Fellow Swansea star Steve Balsamo, for one, couldn’t agree more with the former Fab Four legend’s accolade.
“I suppose Macca’s more than a little qualified to comment as to what makes a good tune,” laughs the former West End Stage star-turned rocker.
“Without You is one of my favourite tracks of all time and a prime case of someone using a terrible heartache they’d suffered to inspire a musical moment that connects with everyone who hears it – which is what every songwriter worth their salt tries to achieve.”
Adding that its poignancy was only compounded by the group’s own tragic story – financial and legal woes led to two members of the group committing suicide tragically young – Balsamo says that the old adage of writing about what you know was crucial in creating something memorable.
“You have to pour yourself, good experiences and bad, into your work because all of us have the same feelings, wants, fears and needs; that stuff’s universal,” he smiles, recalling how he also took tips from another master of the trade.
“When my last band The Storys supported Elton John we’d all stand at the side of the stage watching him every night with our jaws on the floor.
“It was incredible just how many brilliant tunes that man has, from ballads like I Guess That’s Why They Call It The Blues to out-and-out pop numbers like I’m Still Standing – it was like being given a free pass to the best songwriting school in the world.”
So where do his songs find life?
“Like every other lyricist I used to jot ideas down whenever they came to me, so my house would be crammed with bits of paper with ideas written on them,” reveals Balsamo.
“Now it all goes into my Blackberry so my wife shouts at me less, and if I get inspired on the train or something I’ll lock myself in the toilet and quietly sing melodies into my voice recorder.”
He adds: “But that’s the beauty of it – you go into a room with nothing and, hopefully, you come out with something that’ll move people – alchemy, basically.
“True, you can be scientific about it, and a lot of jobbing songwriters watch the current trends and learn how to craft tunes to order for various different artists, and Guy Chambers is a great example of that.”
But Balsamo believes serendipity could have a role to play in what makes a song special.
“A mate of mine called Steve Booker had a huge success writing with Duffy on her first album and that only happened because he put his London flat on the market and she came round to view it and they got chatting,” he says.
“So perhaps it’s destiny that great tracks like Mercy are born, but maybe that’s just the old romantic in me.”
| Hello All Seems like the world is turning upside down with the recent events in Japan. My Prayers are with those in trouble there and indeed those who've passed. I hope all is well in your worlds? I've been in the studio with several beautiful women recently! (it's a hard job...) ![]() Ben and I have been writing with Helena http://www.helenajesele.com/ and came up with a stunning song called 'The Fury Of Love'. It goes very well with another track the three of us wrote a while back called 'Siren Song'. That was recorded 'proper' by hip producers Truth and Soul for Helena's album in NY a month ago. Annelies' project is moving along beautifully. The film we made of her looks absolutely beautiful. More on that very soon... I've been writing and recording with Rosalie and Julian for our duet project. Sounding really, really, really lovely. You can check out how happy we are here... http://twitpic.com/4aepqy It's been a week of wonderful creation. I've decided to put my solo album All I Am up on iTunes on 26th June with an ep of b-sides and other rare songs from that era (seems like a lifetime ago!!) about a month after that. There's stuff I'd totally forgotten about and I enjoyed listening to, so I figured I'd make them available. Oystermouth ep, 5 Songs For Jen will also be available around that time as a limited edition physical copy (with some groovy artwork by yours truly) and then as a digital release. The songs are mixed and sound feckin' great! For iTunes, I had to set up my own little label which I've called Ghost Horse Records...who knows, I may even sign an act or two later down the line! Hang on though...surley that's opening up a world of dealing with artists, managers, radio people, pluggers, tv peeps, money men/women...er...on the other hand... ![]() Nice thought though! More to come soon... PEACE SB x |
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Hola!
hope all is well with you all, and you are happy...
Been a busy time of writing, meetings and collaborations. We've progressed the beautiful project with Annelies, and are currently talking with record labels. I'm extremely excited about this and should have more news on the project very soon.
I've been writing more songs with Rosalie for our duets project. It sounds lovely and I really love singing with such a beautiful singer and songwriter. She and I sang on the new Danny And The Champions Of The World album,out in July, and Rosie has since joined the band! I saw them at The Borderline last week and they were fantastic!!!
I've been working on solo material, which sounds very cool...more on that soon. I'm releasing All I Am, the album I did for Sony, on iTunes in the next few weeks as it's never been on there, and while I was at it have set up my own little label Ghost Horse Records. I'll release the Oystermouth e.p on the label too, and am getting some artwork together for that.
There's lots more...
I'll keep y'all posted
take care and see ya soon ! xx
s b xx